CURATORIAL,
EDITORIAL and ADVISORY ACTIVITIES |
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Senior Editor, Art
International (Lugano), 1983-85, and Contributing Editor
for Latin America of the new Art International (Paris),
1988 and U. S. Editor 1991-92.
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Co-curator, Outside Cuba/Fuera de Cuba, the most comprehensive
survey of Cuban art organized in the United States since the
April, 1944 exhibition "Modern Cuban Painters," at
the Museum of Modern Art, New York. OC/FC presented works
by 48 Cuban-born artists currently living outside the island.
The exhibition included paintings, installations, photographs,
sculptures, videos and assemblages. The other two curators of
OC/FC were Inverna Lockpez and Ricardo Viera. The exhibition
was organized by the Office of Hispanic Art, Rutgers University,
New Brunswick, NJ, and opened at that University's Jane Voorhees
Zimmerli Museum on March 24, 1987. OC/FC traveled to
the Museum of Contemporary Hispanic Art in New York City, the
Art Museum at Miami University of Ohio, the Museo de Arte de
Ponce in Puerto Rico, the Center for the Fine Arts in Miami,
and the College of Fine Arts in Atlanta. This tour ended in
March, 1989. |
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Co-curator, ¡Mira! The Canadian Club Hispanic Art
Tour III, 1988-89. Opened on March 29, 1988 at the Municipal
Art Gallery, Los Angeles, CA, this exhibition traveled for
approximately two years and visited the Meadows Museum in
Dallas, the Bass Museum of Art in Miami Beach, the Terra Museum
in Chicago, and the Museo del Barrio in New York City. (Mira!
III included works by 29 Chicano, Cuban-American, Puerto Rican,
and Latin American artists living in the United States. The
other two curators of this exhibition were Inverna Lockpez
and Susana Torruella Leval.
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One of two United States advisors to the Fifth (1986) and
Sixth (1988) Domecq Biennials of Latin American art,
Mexico City.
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Advisor and contributor on Cuban and Latin American art to the
Dictionary of Art, a 34-volume encyclopedia of
world art published by Macmillan Publishers, London in 1996. |
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Judge of the first Bienal Francisco Amighetti, San José,
Costa Rica, sponsored by the Centro Cultural Costarricense Norteamericano,
August 20-24, 1988. |
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Curator, Clarence Holbrook Carter: A Retrospective, Paintings
at Payne Gallery, Moravian College (Oct 14--Nov 11, 1988) and
Drawings at the Art Galleries, Lehigh University (Sept 22--Oct
30, 1988), both in Bethlehem, PA. |
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Co-curator of Costa Rican Art Today: New Directions,
at the Museo de Arte Costarricense, sponsored by American
Express, May, 1989. The other co-curators were Virginia Vargas,
Director of the MAC, and Alvaro Zamora, art critic and
historian. The exhibition travelled to the Art Gallery at the
Wolfson Campus, Miami-Dade Community College, March--April,
1990. |
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Originator of the idea and Program Director of Miami and
Its Images, the 1990 Distinguished Visiting Professor Series
at Miami-Dade Community College, Kendall Campus. The Series
gathered over 60 speakers and panelists from all over the U.S.--including
Donald Justice, David Rieff, Charles Silberman, John Merrill,
Dorothy Fields, Felix Morisseau-Leroy, Mercedes Sandoval, Nathan
Glazer, Alejandro Portes, and Charles Willie--to discuss the
image of Miami in the media, inter-ethnic relations, the history
of the city, the psychology of exile, the myths and stereotypes
that govern perceptions of the city, as well as the often ignored
creativity of Miami's writers, musicians and visual artists.
The Series ran from March 5-15, 1990. |
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Co-curator, with Miami-Dade Community College/Kendall Campus,
Art Dept faculty, "Twenty-Five in Miami," an art exhibition,
in conjunction with the Distinguished Visiting Professor Series
Miami and Its Images. Art Gallery at Miami-Dade Community
College, Kendall Campus, March 9-30, 1990. |
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Judge, with Francisco Castro Leñero and Perán
Erminy, of the First Central American Contest in Painting,
sponsored by the Instituto Hondureño de Cultura Interamericana,
Tegucigalpa, Honduras, April 1-4, 1990. |
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Judge, with Jeanette Miller and Enrique García Gutiérrez,
of the Primer Certamen Nacional de Artes Plásticas
(First National Contest in the Visual Arts), Museo de Arte Contemporáneo
de Puerto Rico, San Juan; opened November 8, 1991. |
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Curator of the Humberto Calzada Retrospective at the
Bass Museum of Art, Miami Beach, FL, October-November, 1991.
Condensed version of this exhibition traveled to Kennesaw College
Art Galleries, Atlanta, GA, April 2--May 13, 1992. |
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"Soto in Chicago," text and presentation of video
on Jesús Rafael Soto, produced by John Asencio, Fried
Banana Productions, Chicago, for Galería Durbán,
Caracas. Video produced in both English and Spanish for use
in gallery and educational presentations. |
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One of twelve members of international panel allocating $50,000
awards to twelve artists in the Eco-Art exhibition at
the Museum of Modern Art, Rio de Janeiro, Brazil, June 2-30,
1992. This exhibition has drew major international attention
as it traveled to various venues throughout the world. Other
judges were Gilberto Chateaubriand, Geraldo Edson de Andrade,
Angel Kalenberg, Thomas M. Messer, Maria Alice Milliet de Oliveira,
Federico Morais, Diana Nemiroff, Carlos Silva, Rafael Squirru,
Roberto Tejada, and Gloria Zea. |
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Member of selection committee chosing works for the Salón
Arturo Michelena, Ateneo de Valencia, Valencia, Edo. Carabobo,
Venezuela, June 1992. Other jurors were Juan Carlos Palenzuela,
Pedro Barreto, Federica Palomero, and Luís Brito. |
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Curator, two simultaneous solo exhibitions, Cuban Museum of
the Americas, Miami, FL: "Gloria Lorenzo: Cuerpos Extraños"
("Foreign Bodies," ceramic sculpture), and "Dita
Sullivan: El Ultimo Día" ("The Last Day,"
color laser prints taken in Havana during the 1980's), January
10--March 20, 1997. |
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Curator, two simultaneous solo exhibitions of works and installations
by José Bedia and Melquíades Rosario Sastre, First
Lima Art Biennial, Lima, Perú, October--December, 1997. |
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Curator, solo exhibition of photographs by Elizabeth Cerejido,
Galería Arte Municipal Pancho Fierro, Lima, Perú,
October--December 1998. |
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Curator, solo exhibition/installation by Maria Brito, Second
Lima Art Biennial, Lima, Perú, October--December 1999. |
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2002-2004, North American editor for the art magazine Southward
Art, published in Buenos Aires, Argentina. |
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© Copyright 2015 Ricardo Pau-Llosa. All
rights reserved Ricardo Pau-Llosa. All work within this site
unless otherwise noted |
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